Michellica

1. Metallica, "Enter Sandman"
2. Nine Inch Nails, "Head Like a Hole"
3. Anthrax and Public Enemy, "Bring the Noise"
4. Faith No More, "Falling to Pieces"
5. Rob Zombie, "Dragula"
6. Sepultura, "Ratamahatta"
7. Motörhead and Girlschool, "Please Don't Touch"
8. Living Colour, "Cult of Personality"
9. Pearl Jam, "Animal"
10. L7, "Pretend We're Dead"
11. Queens of the Stone Age, "No One Knows"
12. Danzig, "Mother"
13. Pantera, "Cat Scratch Fever"
14. Deftones, "Be Quiet and Drive (Far Away)"
15. Alice Cooper, "Poison"
16. King's X, "It's Love"
17. Rage Against the Machine, "Killing in the Name"
18. Shakira, "Nothing Else Matters/Despedida"

For MLC.

International Workers' Day, 2015

Enjoy Tom Morello reading A is for Activist.

Ten Songs for Your Next Protest

1. Black Flag, "Police Story"

Greg Ginn is apparently a terrible person, and if this song is based on true incidents, I fear that the police may have been right to club him. But guys like Ginn are why we separate the art from the artist, and an example of how great artists can confront the horrors of reality.



2. Body Count, "Body Count"

Not as blunt or as infamous as "Cop Killer," but also less excessive. Ice-T's messages about police brutality seem to get more important every day, though I'm not sure he would have kept the song's anti-gun control stance had he foreseen the NRA's role in getting his music banned.



3. The Clash, "Police on My Back"

The Clash's third-most-famous cover of a song about fighting law enforcement got stranded in the middle of Sandinista!, but no one who ever made it to side four ever forgot how it turned the original's garage-rock riff into an urgent siren, diffusing all claims that the band had gone soft. And yes, it was written by Eddy Grant, who was only a few years away from "Electric Avenue."



4. Dead Kennedys, "Police Truck"

Chris Rock recently told Rolling Stone, "Comedy rots. Trading Places is a perfect movie, just unbelievably good. But there are other comedies, not nearly as old as Trading Places, that just have references and things in them that aren't funny five years later. And rap's got a lot of that." He could have added the Dead Kennedys to that comparison. Jello Biafra's Anita Bryant jokes might not be funny anymore, but this one of the Dead Kennedy's unfortunately timeless messages.



5. Fugazi, "Great Cop"

Anyone who's heard the Ice Cream-Eating Motherfucker story knows that the guys in Fugazi are more like cops than outlaws. With that in mind, they must have known that nothing could shut down a punk kid like the couplet "I look for wires when I'm talking to you/You'd make a great cop."

6. Le Tigre, "Bang! Bang!"

A Brooklyn dance-punk tirade against NYPD tactics is practically a given in 2014, but the terrifyingly infectious "Bang! Bang!" arrived in 2001 on the heels of the Amadou Diallo shooting. Guess where Kathleen Hanna stops counting.



7. Living Colour, "41 Shots (American Skin)"

Bruce Springsteen has written better songs about policemen (most of them on Nebraska), but none as direct as this 2000 ballad, also inspired by Diallo, which sparked a boycott of Springsteen's music from New York's biggest police union before the song was even officially released. My favorite version is Living Colour's, only performed live but an emotional peak of their transcendent shows.



8. Mudhoney, "Hate the Police"

Originally by the Dicks, though I like Mudhoney's more fleshed-out, hi-fi version (and if you didn't think anything could be less fleshed-out or hi-fi than Mudhoney, listen). Somewhat like the Rolling Stones updating Robert Johnson's songs, Mudhoney gave "Hate the Police" a more robust reading that was still dishonorably scuzzy.



9. Operation Ivy, "Officer"

Of course the world's biggest Clash fans would have a song about the police on their first 7", but lest you think these guys were living in punk's past, "Officer" offered alternatives to hardcore nihilism and punk anarchy--"Tough guy asshole do what you can/Whatever you destroy we'll create it again."



10. Rage Against the Machine, "Killing in the Name"

The immortal riff. This song is so great that we loved Rage Against the Machine for imitating it 40 more times. Morello's Drop D progressions will outlive all of us, and while no one with a high school education would call Zack de la Rocha poetic, his message here is just as relevant 20 years later.

The Theme Song Will Not Be Written by Jim Webb or Francis Scott Key

The Theme Song Will Not Be Written by Jim Webb or Francis Scott Key 

1. Metallica, "Blackened"
2. System Of A Down, "B.Y.O.B."
3. Faith No More, "We Care A Lot"
4. Black Sabbath, "War Pigs"
5. Anthrax, "Bring the Noise"
6. Gojira, "Ocean Planet"
7. Testament, "Practice What You Preach"
8.  Living Colour, "Cult of Personality"
9. Suicidal Tendencies, "Send Me Your Money"
10. Lamb of God, "Now You've Got Something to Die For"
11. Revocation, "Pestilence Reigns"
12. Megadeth, "Peace Sells"
13. Ministry, "Thieves"
14. Sepultura, "Refuse/Resist"
15. Rage Against the Machine, "Killing in the Name"
16. Slayer and Ice-T, "Disorder"
17. Misery Index, "Traitors"

A post-elections gift for some of my fellow campaigners, culled from a few of my past political metal mixes.

Rage Against the Machine, "Beautiful World"

For Bob Casale.

Dissidents

How does one make a political metal mix for someone who already has "War Pigs," "Peace Sells," "Cult of Personality" and "Bring the Noise?"



Dissidents

1. Metallica, "Blackened"
2. System of a Down, "B.Y.O.B."
3. Faith No More, "We Care a Lot"
4. Living Colour, "Pride"
5. Guns N' Roses, "Civil War"
6. Suicidal Tendencies, "Send Me Your Money"
7. Marilyn Manson, "The Love Song"
8. Saul Williams, "List of Demands (Reparations)"
9. Lamb of God, "As the Palaces Burn"
10. Revocation, "Pestilence Reigns"
11. Megadeth, "Symphony of Destruction"
12. Ministry, "Thieves"
13. Gojira, "Vacuity"
14. Motörhead, "God Save the Queen"
15. Sepultura, "Kaiowas"
16. Rage Against the Machine, "Wake Up"
17. Body Count, "Cop Killer"
18. Misery Index, "Traitors"

Answer: It's hard, but not for lack of songs. How to pick just one selection from Rage Against the Machine or System of a Down? Is Tool's "Ænima" political enough? Is Saul Williams' "List of Demands (Reparations)" metal enough? There are already enough political metal mixes, with names like Psalm 69 and As the Palaces Burn. How can anything compete with those?

I ended up pulling up a little from everything. This is for someone who probably agrees with Cattle Decapitation philosophically if not melodically, so I'm throwing down the biggest metal trump cards. I picked "Blackened" over the other ...And Justice for All contenders by virtue of the fact that it rocks the hardest, and "Symphony of Destruction" for not having a verse about the Punisher, plus being still sadly relevant in an era of Morsis and Putins. Sepultura's "Kaiowas" landed here for proving that a metal band didn't need amps, or even lyrics, to send a message about forced evictions of natives in Brazil. I also dug up "We Care a Lot" from Faith No More's pre-Mike Patton days, a gleefully incisive takedown of the Live Aid and "We Are the World" celebrities which I'd still pit against anything Bono and Bob Geldof are doing today. I'll add that "We Care a Lot" predated The Book of Mormon ("I am Africa") and Get Him to the Greek ("African Child (Trapped in Me)") by at least 20 years.

More recently, the Political Metal flag has been raised by French progressive environmetalists (sic) Gojira and relentlessly confrontational deathgrinders Misery Index, the latter of whom earn the Thomas Paine and John Brown references on "Traitors" by being one of the only metal bands to put as much care into their lyrics as their music. But my favorite is Revocation, whom match their politically-charged lyrics (they recently debuted a song called "Fracked") with the most sophisticated metal that these ears have found over the past few years. "Pestilence Reigns," a chilling depiction of air raids, solves all of my problems with neo-thrash and technical death metal, giving the former a death metal makeover and the later a sense of songwriting direction.

Finally, I couldn't put together a political metal mix without including the most controversial metal single of all time. If you haven't heard it, that's because it's been banned from CD release since 1992.

Van Halen, "Mean Street"

Is Van Halen really a "good times" band? This song reminds me of Rage Against the Machine. That lascivious main riff and David Lee Roth's talked delivery could have appeared on Evil Empire, although the harmonized chorus and Eddie's tapped intro are pure VH.



Thematically, it's worlds away from the exuberance of "Jump," "Hot for Teacher," or "Panama." Yet even when they're inviting you to Mean Street, Van Halen still sound cheerful enough to make you dance the night away. It's the rare kind of chemistry that allows a pair of guys who can't get along at all to look like they're having all the fun in the world, and makes the Mean Streets sound like everybody wants some.

The Best of Rage Against the Machine

For the second time in this election cycle, a campaign co-worker has told me that she has never heard the most important political rock band of our time.



The Best of Rage Against the Machine

1. Bombtrack
2. Killing in the Name
3. Know Your Enemy
4. Wake Up
5. People of the Sun
6. Bulls on Parade
7. Vietnow
8. Down Rodeo
9. No Shelter
10. Testify
11. Guerilla Radio
12. Calm Like a Bomb
13. Sleep Now in the Fire

Rage Against the Machine has never released a "Best of." For such an infamously opinionated band, my guess is that RATM believes that they're too good for it. I'd agree--I don't usually like "Best ofs" for top bands, and this one is no exception. Its tracklist is as generic as its title. Not only have I boiled down Rage's impeccable recorded history into an insufficient 13 songs, I picked the same 13 songs that any casual Rage fan who only likes what he's heard on the radio would pick. Paul Ryan probably could've made this mix CD.

Then again, this mix is for someone who isn't a fan yet. Almost certainly one of the songs here is the one that made you a Rage Against the Machine fan, and I'm hoping at least one of them will connect with my co-worker. Listening again, they're better than I remembered--all the rap-rock that followed Rage might have temporarily diluted some of their glory. It will probably restore itself once my generation takes over the media, or at least when more folks forget about Linkin Park.

Album of the Day: Rage Against the Machine, The Battle of Los Angeles

"Check this out, you'll like this."

I'm trying to organize a community meeting and my co-worker is holding up a little red listening device with some white ear buds.

"It's a German guy called Jan Delay. You'll like this song, it's kind of funky. It's called 'Rave Against the Machine.'"

I mishear her. "'Rage Against the Machine,' like the band?"

"That's a band?"



I ended up burning her a data disc with Rage's three original albums and their single "No Shelter." The debut gets all the credit as the groundbreaker, and Evil Empire has the biggest hits, but my favorite is The Battle of Los Angeles. The songs are more concise than Rage's, more consistent than Evil Empire's and more diverse than either album's.

Rage had already famously covered Bruce Springsteen, but now they were writing songs that sounded like him ("Born of a Broken Man.") Tom Morello's effects are at their most developed, transforming his guitar into a mouth organ on "Guerilla Radio" and a scratch routine on "Mic Check." Rage's liner notes bore messages like "All sounds made by guitar, bass, drums and vocals," but this was the first time that they really needed to remind us.

Released the same year that Korn and Limp Bizkit had number one records, Rage seemed like they were raging against rap-rock as much as anything else. Not by offering an alternative, but by showing how it was really done, which was in hindsight a much bigger challenge. Zack de la Rocha's fiery bark and off-kilter rhythm reminds me of both Bob Dylan and Chuck D. I remember one review comparing The Battle of Los Angeles to "Led Zeppelin covering It Takes a Nation of Millions to Hold Us Back," and I can't think of a better comparison.

Here they are in a video filmed by Michael Moore for "Sleep Now in the Fire," in front of the New York Stock Exchange, 11 years before Occupy Wall Street.



This was nominated for an MTV Video Music Award, but lost to Limp Bizkit's "Break Stuff," featuring Pauly Shore.

The Battle of Los Angeles closes with the absurdly underrated "War Within a Breath," making Rage one of the only great bands to go out at their peak. Sometimes I want more--it's sad to think that they stopped recording music in the year 2000, on the cusp of eight years of a Bush Administration. But on The Battle of Los Angeles, there's enough Rage to go on for decades in this mortal coil.

Song of the Day: Rage Against the Machine, "Know Your Enemy"

This week, VP hopeful (not Origin guitarist) Paul Ryan turned a few extra heads when he expressed an appreciation for Rage Against the Machine. It doesn't sound quite as strange when you remind yourself that Ryan was 22 when "Killing in the Name" dropped, but the ideological contrast between the most outspokenly left wing rock band on the planet and a man who claims that Ayn Rand inspired him to get into public service is still fun to look at.

"Paul Ryan's love of Rage Against the Machine is amusing, because he is the embodiment of the machine that our music has been raging against for two decades," guitarist Tom Morello recently wrote in Rolling Stone. "He can like whatever bands he wants, but his guiding vision of shifting revenue more radically to the one percent is antithetical to the message of Rage."

Morello continues, "Don't mistake me, I clearly see that Ryan has a whole lotta 'rage' in him: A rage against women, a rage against immigrants, a rage against workers, a rage against gays, a rage against the poor, a rage against the environment. Basically the only thing he's not raging against is the privileged elite he's groveling in front of for campaign contributions."

In honor of Paul Ryan's commendable musical taste and abhorrent policies, here is Rage Against the Machine's "Know Your Enemy." That's Tool's Maynard James Keenan singing and Jane's Addiction's Stephen Perkins drumming on the bridge.



Nobody literally puts the pedal to the metal like Tom Morello. His riffs are pretty straightforward (in fact, this one sounds a little like Edgar Winter's "Frankenstein,") but his brilliance lies in his limb-like effects. I'm also sold on Zack De La Rocha's spitfire delivery, if not his claim that hypocrisy and brutality are American dreams. But when the music is this great I can overlook disagreeable messages. Kind of like Paul Ryan.

System of a Down at Jones Beach Theater

Seven years after their last album, System of a Down still sound like mainstream metal's last stand. They're still the newest cutting edge metal act whose CDs could be sold at Target, the most modern metal band to write a tolerable song that your sister knows the words to. At Jones Beach Theater last Sunday, they gave no indication that they'll be releasing new music, even if that may be exactly what underground metal needs right now. System's ability to be avant-garde and popular was reflected in the line outside the venue, where Wiz Khalifa and Daniel Johnston t-shirts met.

Headbangers will always need our System of a Downs. Gripe all you want about it not being kvlt enough for you, but you never would have discovered grindcore if you hadn't heard Pantera, and there is an abundance of exciting underground metal bands with no modern gateway artist. Either System have to make new music, or Pig Destroyer is going to have to start writing choruses.



Openers the Deftones tore into "Rocket Skates" moments before the sky turned black and released a torrential storm on the band and attendees. Undeterred, either by their own professionalism, the crowd's energy or the fact that their biggest foe was still the Jones Beach acoustics, they boosted a standard "Best of the Deftones" setlist by employing the weather into their show. "This is some Michael Jackson shit happening, without (mechanical) fans," commented singer Chino Moreno, while the winds and downpour gave songs like "Be Quiet and Drive (Far Away)" a grandeur that they never could have found in the Deftones' usual club setting.



System of a Down opened with "Prison Song," an anti-incarceration anthem that alternates between singer Serj Tankian's barked statistics and guitarist Daron Malakian's squeaked imitation of a crack-smoking Hollywood dwelling. It was a reminder of how the band originally stood out, by blending goofy irreverence and dour politics somehow never undermined each other (most System-y shirt: an armored vehicle with an erected tank gun that read "MINE IS BIGGER THAN YOURS.") Like Malakian's hero, Frank Zappa, System's songs danced between cheery melodies ("Bounce," "Cigaro,") and guitar spazz outs ("Suite-Pee," "Sugar,") often in the same composition ("Chop Suey," "B.Y.O.B.") If anything, the band's sense of humor gave their politics more weight than the self-serious riot acts of Rage Against the Machine and Lamb of God.

But like Rage, System of a Down showed last Sunday that they are best as a unit. Tankain's solo records or Malakian's Scars on Broadway have been struggling to come up with anything as instant as "Needles" or at wrenching as "Hypnotize" ever since System of a Down announced their hiatus in 2006. By last Sunday's show, they've still "got it," and if SOAD never records again as a band, it would the metal community's loss.

The Five Best Metal Interpreters

Frank from Metal Injection once told me that he thought Testament deserved to be in Metal's Big Four and not Anthrax. This seemed like it was worth fighting over, so I informed him that he was wrong. I stand by my case, but he did make one point that I could not counter, which is that Anthrax's best songs are all covers.

Recorded metal covers don't usually do much for the original or the interpreter. Watching the Dillinger Escape Plan roar into Nine Inch Nails' "Wish" in person is a favorite memory for anyone who's been so lucky, but no one who owns Broken needs another version. It takes some extra character to successfully reimagine a song with a tape rolling, and for that we salute these five.

1. Anthrax

Anthrax have no shortage of great originals, but it was their charisma--Scott Ian's tones, Charlie Benante's blast beats, the entire band's penchant for comedy, comic books and Stephen King--that edged them past Testament, Exodus and Overkill. They elevated Public Enemy with "Bring the Noise," spanked Trust with "Antisocial" and topped themselves with this d-beat breakdown of of Joe Jackson's "Got the Time." Flea once observed that this song "made my kidneys flip upside down."



2. Faith No More

FNM won metal hearts in 1989 with a take on "War Pigs" that remains the best cover of the most-covered metal band in history, then proceeded to weird out listeners with faithful, unironic takes on the Commodores' "Easy" and John Barry's Midnight Cowboy theme. Check out their video for the Bee Gees' "I Started a Joke" and keep waiting for the punchline. There isn't one. 



3. Guns N' Roses

They did "Live and Let Die" better than Paul McCartney, "Mama Kin" better than Aerosmith and "Since I Don't Have You" about as well as the Skyliners. Other than the obvious choice of Hendrix's "All Along the Watchtower," I have never heard a better Dylan cover than GNR's "Knockin' on Heaven's Door." It reminds me of Nick Hornby's take on pre-sellout Rod Stewart in 31 Songs*.



4. Metallica

It takes more than original songwriting to become the greatest metal band of all time. The $5.98 E.P: Garage Days Re-Revisited did more for underground metal than any fanzine ever did, and its '90s sequel is Metallica's most underrated release. Who knew what a great song "Breadfan" by Budgie was until James Hetfield's downstrokes invigorated it? When Hetfield retires, his right hand should be enshrined in a museum, next to Axl's larynx and Ozzy's liver.



5. Rage Against the Machine

On their last studio album, Renegades, RATM ran Dylan, Springsteen, Eric B. & Rakim, the Stones, Minor Threat, EPMD, Devo and more through Tom Morello's effects pedal wizardry and Zack de la Rocha fiery delivery. It all sounds like Rage; in short, it's fantastic. Any other metal band would be laughed at for taking on Afrika Bambaataa's "Renegades of Funk," but with Rage at the helm it's as potent as "Bulls on Parade."



*On Stewart's version of "Mama You've Been on My Mind." "Stewart's evident love for the song rescues it, or at least spotlights it: where Dylan almost throws it away, with the implication that there's plenty more where that one came from, Stewart's reverence seems to dignify it, invest it with an epical quality that Dylan denies it. I probably like both version equally now, but if it hadn't been for Stewart, I never would have been able to spot that there was anything there."

Anthrax for Bobby Digital

My office comrade, Bobby Digital (no, not that one), got to see Anthrax play Jimmy Fallon. Right as I was congratulating him, he described the event the way that Jesse Helms would probably describe an Anthrax show. No surprise there--Anthrax aren't a band that inspires a lot of indifference. But Bobby D also enjoys Iron Maiden and Metallica, so I sought to give him an audio discourse on New York's greatest metal band.



Anthrax for Bobby Digital

1. Bring the Noise
2. Only
3. Antisocial
4. Got the Time
5. Caught in a Mosh
6. Hy Pro Glo (Al Jourgensen remix)
7. Inside Out
8. What Doesn't Die
9. Among the Living
10. Cadillac Rock Box
11. Taking the Music Back
12. Think About an End
13. I'm the Man
14. Madhouse
15. I am the Law
16. Fueled
17. Refuse to be Denied
18. Metal Thrashing Mad (John Bush version)

One look at Anthrax for Bobby Digital gives me away. I am a John Bush fan. In most circles, that's like saying you prefer Van Hagar, but the fact is that Anthrax were at best with John Bush's growls and not Joey Belladonna's mewls.

Of course, the Joey period is their most popular, and there are plenty of killer songs. "Caught in a Mosh" and Madhouse" should be in any metalhead's collection. Anthrax caught up to their peers in the Big Four by rapping ("Bring the Noise," "I'm the Man,") covering new wave ("Got the Time") and telling jokes (S.O.D.) better than any other metal band. "I'm the Man" has got to be the deftest rap parody outside of Fear of a Black Hat, and "Antisocial" reinvents hard rock as punk rock, but their signature is "Bring the Noise," a perfect rap-metal bridge to Public Enemy that took both bands to their peak while paving the way for Rage Against the Machine and the Judgement Night soundtrack. I like it more than "Walk This Way."

But if Anthrax spent the Reagan Era in the shadow of Slaygadeth, they caught up with John Bush's debut on Sound of White Noise. "Only" and "Hy Pro Glo" deliver a TKO punch to mid-'90s grunge, and "Fueled" earns its Bukowski reference by sounding like it was sung by him. "Inside Out" scores with their best video (because it re-enacts a Twilight Zone episode) and their most ripping solo (because Dimebag Darrell plays it.)

Best of all though is We've Come for You All, their jaw-dropping 2003 comeback, where, amidst the worst publicity of their lifetime (we hope,) Scott Ian and the gang roared back to show the world who the real Anthrax is. From the zombie anthem "What Doesn't Die" to the rifftastic "Cadillac Rock Box" to the all-time heaviest "Think About an End" and beyond, Anthrax claimed the best Big Four record in the past decade. Not that it paid off commercially, but nothing more can be expected from metal's greatest team of underdogs.

Finally, I've alerted you to appearances by Al Jourgensen, Dimebag Darrell and Public Enemy. See if you can find Roger Daltrey.

Download here: Anthrax for Bobby Digital

Iron Maiden Memorial Day Playlist

Anti-war rallies would be more effective if they played more metal. Why is it always "Get Up, Stand Up" and never "War Pigs," "One" or "Civil War?" Few arts can depict the brutality of the battlefield as unnervingly as metal.

Bands have built careers on protesting war (Rage Against the Machine, System of a Down, Misery Index), even when the songs don't reflect their creator's own beliefs (Megadeth). Every time Lamb of God decry the government for mistreating its military, they are stepping into a pool with Slayer's "War Ensemble" and Sepultura's "Territory."

But before we get to an anti-war metal mix CD, remember that today is not about chickenhawk politicians who sacrifice the working class and stigmatize anti-war sentiments as being anti-troops. Today is about the brave men and women who risked and gave their lives in wars that, to paraphrase Trotsky, were interested in them, even if the fighters weren't interested in war. In modern music, no great band has honored these heroes more than Iron Maiden. Here's a playlist for today.

1. "Aces High" (from Powerslave, 1984)

Maiden's best show-opener starts with a history lesson (Churchill's "We Shall Fight on the Beaches" speech) and peaks with a chorus that soars as high as a Battle for Britain pilot. Watch out.



2. "The Trooper" (from Piece of Mind, 1983)

Inspired by Lord Tennyson's The Charge of the Light Brigade, "The Trooper" memorializes the British soldiers who died in the failed Crimean War charge. History books aren't as kind as they should be, so thank Steve Harris for taking it into his hands.



3. "Women in Uniform" (single, 1980)

Maiden hadn't found their best voice yet--they were still employing singer Paul Di'Anno and covering bands like Skyhooks, who wrote this well-meaning but stupid ode to a group that never gets enough credit. Some day women in combat will get the anthem that they deserve, but until then the least someone can do is Maidenize it.



4. "Where Eagles Dare" (from Piece of Mind, 1983)

"The world is grown so bad, that wrens make prey where eagles dare not perch," quoth the Bard in Richard III. Centuries later, the Shakespeare of Metal sung of those who are boldest when the world is at its worst.



5. "Die With Your Boots On" (from Piece of Mind, 1983)

A modern twist on the "With your shield or on it" adage? A tribute to a comically inaccurate Errol Flynn movie? This fan favorite is up for interpretation, but hear it today as a salute to the fearless armed forces.




Download here: Iron Maiden Memorial Day Playlist