Original Lollapalooza lineup, 1991

In honor of today's Lollapalooza announcement, check out this backstage photo of the original tour lineup in 1991—Jane's Addiction, Siouxsie and the Banshees, Living Colour, Nine Inch Nails, Ice-T with Body Count, Butthole Surfers and the Rollins Band, all together. I had blast speaking with some of these musicians about Body Count, and loved reading the upcoming Lollapalooza oral history book compiled by Richard Bienstock and Tom Beaujour. Let me know if you read it!

Michellica

1. Metallica, "Enter Sandman"
2. Nine Inch Nails, "Head Like a Hole"
3. Anthrax and Public Enemy, "Bring the Noise"
4. Faith No More, "Falling to Pieces"
5. Rob Zombie, "Dragula"
6. Sepultura, "Ratamahatta"
7. Motörhead and Girlschool, "Please Don't Touch"
8. Living Colour, "Cult of Personality"
9. Pearl Jam, "Animal"
10. L7, "Pretend We're Dead"
11. Queens of the Stone Age, "No One Knows"
12. Danzig, "Mother"
13. Pantera, "Cat Scratch Fever"
14. Deftones, "Be Quiet and Drive (Far Away)"
15. Alice Cooper, "Poison"
16. King's X, "It's Love"
17. Rage Against the Machine, "Killing in the Name"
18. Shakira, "Nothing Else Matters/Despedida"

For MLC.

No Lives Matter

No Lives Matter

1. Black Flag, "Rise Above"
2. Bikini Kill, "Double Dare Ya"
3. Anthrax and Public Enemy, "Bring the Noise"
4. Living Colour, "Cult of Personality"
5. Sepultura, "Refuse/Resist"
6. Suicidal Tendencies, "Send Me Your Money"
7. Ministry, "Thieves"
8. Time Zone, "World Destruction"
9. Nine Inch Nails, "The Hand That Feeds"
10. Saul Williams, "List of Demands (Reparations)"
11. Discharge, "Protest and Survive"
12. Bad Brains, "Banned in D.C."
13.  Faith No More, "War Pigs"
14. Motörhead, "God Save the Queen"
15. Body Count, "No Lives Matter"
16. Revocation, "Pestilence Reigns"
17. A Tribe Called Quest, "We the People..."
18. Rage Against the Machine, "The Ghost of Tom Joad"
19. Sinéad O'Connor, "Black Boys on Mopeds"
20. David Bowie and Trent Reznor, "I'm Afraid of Americans"

For DMS.

Bad Brains, "Sailin' On"

18 Days to Find a Home


Even in the Converge and Dillinger Escape Plan era, the first few seconds on Bad Brains' first album feel like a knockout blow to the head. The lyrics are almost comically nonchalant for such a breakneck song--there's no sailing going on here, this is a hurricane. There are melodies buried in "Sailin' On", most apparent in the background vocals that chime in at the :28 mark, and several cover versions (astonishingly, No Doubt, Living Colour, Soulfly and Moby have all recorded it) have unearthed more of the tune. But on Bad Brains it's a war between H.R. and Dr. Know, the former's You Can't Fire Me Because I Quit narrative trading punches with the latter's monstrous, distorted riffage (plus a solo? On a hardcore album? By devout Rastas? In 1982?). In the end, kicking the storyteller out gives them what they both want, but we know who the real winners are.

Living Colour, "Funny Vibe"

The single remix and music video for "Funny Vibe" are helplessly stuck in the 1980s, but its message sadly isn't.



I don't know whose idea it was to give "Funny Vibe" a pop-rap remix, complete with the most embarrassing tagalong rapper this side of the New Power Generation's Tony M., but thankfully it's the original, from Living Colour's still-smashing Vivid, which graces the band's setlists. Exhibit A for Will Calhoun's Drum God status.



As a grade school boy falling in love with heavy metal, this song made me a little uncomfortable when I first pored over Vivid. I didn't think Corey Glover was going to rob, beat or rape anyone--why would he even bring that up? Even Vernon Reid's jangling, complicated leads are discomforting. There weren't any riffs or hooks to latch onto, like "Cult of Personality" or "Glamour Boys." Change the joke and slip the yoke...

Growing up with progressive schools and families, I was taught about acceptance and diversity from an early age, never getting a decent sense of issues with names like Driving While Black, Racial Profiling or Fear of a Black Planet. But Living Colour dropped them on my doorstep (even the last one--"Funny Vibe" includes guest spots from Chuck D and Flavor Flav, three years before they teamed up with Anthrax.) "Funny Vibe" weirded me out. I didn't associate my unease with racism, but by putting those thoughts about rape, robbery and assault in my mind, Living Colour taught me more about the way people saw them than they ever would have by singing "White people think I'm a bad guy." For a kid who believed racism was solved at the end of Eyes on the Prize II, it was quite a shock.

Ten Songs for Your Next Protest

1. Black Flag, "Police Story"

Greg Ginn is apparently a terrible person, and if this song is based on true incidents, I fear that the police may have been right to club him. But guys like Ginn are why we separate the art from the artist, and an example of how great artists can confront the horrors of reality.



2. Body Count, "Body Count"

Not as blunt or as infamous as "Cop Killer," but also less excessive. Ice-T's messages about police brutality seem to get more important every day, though I'm not sure he would have kept the song's anti-gun control stance had he foreseen the NRA's role in getting his music banned.



3. The Clash, "Police on My Back"

The Clash's third-most-famous cover of a song about fighting law enforcement got stranded in the middle of Sandinista!, but no one who ever made it to side four ever forgot how it turned the original's garage-rock riff into an urgent siren, diffusing all claims that the band had gone soft. And yes, it was written by Eddy Grant, who was only a few years away from "Electric Avenue."



4. Dead Kennedys, "Police Truck"

Chris Rock recently told Rolling Stone, "Comedy rots. Trading Places is a perfect movie, just unbelievably good. But there are other comedies, not nearly as old as Trading Places, that just have references and things in them that aren't funny five years later. And rap's got a lot of that." He could have added the Dead Kennedys to that comparison. Jello Biafra's Anita Bryant jokes might not be funny anymore, but this one of the Dead Kennedy's unfortunately timeless messages.



5. Fugazi, "Great Cop"

Anyone who's heard the Ice Cream-Eating Motherfucker story knows that the guys in Fugazi are more like cops than outlaws. With that in mind, they must have known that nothing could shut down a punk kid like the couplet "I look for wires when I'm talking to you/You'd make a great cop."

6. Le Tigre, "Bang! Bang!"

A Brooklyn dance-punk tirade against NYPD tactics is practically a given in 2014, but the terrifyingly infectious "Bang! Bang!" arrived in 2001 on the heels of the Amadou Diallo shooting. Guess where Kathleen Hanna stops counting.



7. Living Colour, "41 Shots (American Skin)"

Bruce Springsteen has written better songs about policemen (most of them on Nebraska), but none as direct as this 2000 ballad, also inspired by Diallo, which sparked a boycott of Springsteen's music from New York's biggest police union before the song was even officially released. My favorite version is Living Colour's, only performed live but an emotional peak of their transcendent shows.



8. Mudhoney, "Hate the Police"

Originally by the Dicks, though I like Mudhoney's more fleshed-out, hi-fi version (and if you didn't think anything could be less fleshed-out or hi-fi than Mudhoney, listen). Somewhat like the Rolling Stones updating Robert Johnson's songs, Mudhoney gave "Hate the Police" a more robust reading that was still dishonorably scuzzy.



9. Operation Ivy, "Officer"

Of course the world's biggest Clash fans would have a song about the police on their first 7", but lest you think these guys were living in punk's past, "Officer" offered alternatives to hardcore nihilism and punk anarchy--"Tough guy asshole do what you can/Whatever you destroy we'll create it again."



10. Rage Against the Machine, "Killing in the Name"

The immortal riff. This song is so great that we loved Rage Against the Machine for imitating it 40 more times. Morello's Drop D progressions will outlive all of us, and while no one with a high school education would call Zack de la Rocha poetic, his message here is just as relevant 20 years later.

Living Colour, "American Skin (41 Shots)"

Living Colour, "Solace of You"

I saw Living Colour earlier this week, and have been on a kick ever since. I thought it would be a good nostalgia show, and it was--their energy and musicianship is always first rate. But the songs also held up much better than I remembered. "Cult of Personality" is deservedly a classic, but the range of tracks they performed from Vivid and Time's Up made me wonder why both of those records are underrated in 2014.

My co-attendee commented on how surprisingly diverse their influences are, and that may have something to do with it. A band that covers Robert Johnson, Talking Heads, "Amazing Grace," MC5 and James Brown all in the same night is bound to alienate someone. The hipsters who know "Cult of Personality" probably lump it in with Megadeth and the other thrash metal bands they ignore, and headbangers who bought Vivid likely wanted more meat and potatoes rocking. But for those of us who enjoy more than one type of music, Living Colour offers a plethora of riches.

"Solace of You," from Time's Up, sounds like it could have been written and recorded for Paul Simon's Graceland. Living Colour are often wrongly described as "funk metal" (or worse, rap-metal) by people who don't know how to handle the individuality of an all-black rock band. But more so, Living Colour gave metal a stronger sense of African-American tropes and history than any other band, exhibited by the American Afrobeat of "Solace of You." Not only did they bring something to the game that distinguished them from Metallica and Guns N' Roses, but they beat (and bested) Vampire Weekend and tUnE-yArDs to these polyrythms by about 18 years.

Five Great Songs from the Say Anything... Soundtrack (that aren't "In Your Eyes" or "Joe Lies")

My sister once declared that Say Anything..., which turns 25 today, was a definitive chick flick that guys will watch (she phrased it more eruditely than that, but you get the idea). She's right--maybe it's Cameron Crowe's screenplay, or the way it captures the aches of the male crush, or its creation of a world where a guy who spends his Saturday nights at a Gas 'n' Sip could date a girl that looked like Ione Skye. There's something about Say Anything... that gets through to the lunkheaded heterosexual male, more than perhaps any other film in Netflix's Rom Com section.

As with every Crowe film, us music nerds get the bonus of a killer soundtrack, doused with everything from Aerosmith's "Back in the Saddle" to Mother Love Bone and Soundgarden two years before the grunge boom (which Crowe went on to capture in his next movie, Singles). Of course Say Anything... is best known for the Peter Gabriel song in its most famous scene, and Lili Taylor's odes to her callous ex are probably a distant second, but its soundtrack has a trove of less-famous gems worth celebrating today.

1. Living Colour, "Cult of Personality"

It's a classic today, though there was no way of knowing that in 1989, when Living Colour were a relatively new band under producer Mick Jagger's wing. They're still a ferocious live band, and Vernon Reid is universally acknowledged as one of the world's greatest guitar players, but this is deservedly their most enduring song.



2. Red Hot Chili Peppers, "Taste the Pain"

Another band on the cusp of megastardom when Crowe picked them for Lloyd Dobler's tape deck, the Chili Peppers were streamlining the disjointed funk rock of their earliest albums on "Taste the Pain," showing hints of the songmanship that was about to peak on Blood Sugar Sex Magik.



3. Depeche Mode, "Stripped"

Like Crowe himself, Depeche Mode were experts at taking the artsy underdog to the mainstream, being lonely enough for Cusack types and sexy enough for the rest of the world. Arguably the male musical equivalent of "a brain trapped in the body of a game-show hostess."



4. Fishbone, "Skankin' to the Beat"

Now that ska has been raided and exhausted beyond repair, "Skankin' to the Beat" should be as dated as Fishbone's cameo in Back to the Beach. Thankfully, its got enough of a new wave touch to earn its spot in the graduation party scene, and justify the Fishbone logo on Lloyd Dobler's shirt.



5. The Replacements, "Within in Your Reach"

Crowe dug this one out from the second half of the Replacements' messiest album, where it hid next to a drunken cover of "The Twist." Performed entirely by Paul Westerberg, "Within Your Reach" is the only song in Say Anything... that sounds like something Lloyd Dobler would actually write, though I'm glad Crowe made him a kickboxing instructor instead.

G N' R Lies: "Nice Boys"

Great songs can happen to mediocre bands. We hear it all the time in music, less so often in metal, where "hits" are scarce and most metal bands with one actual high-charting single (Faith No More, Living Colour, Queensrÿche) support their place in history with a few great albums. But near the top of the mediocre band/great song heaps sits Rose Tattoo, barely remembered today as the Australian metal band that isn't AC/DC.

Most of Rose Tattoo's songs are routine hard rock fare without the leery charm of Bon Scott and the Young brothers. However, on "Nice Boys," they hit it out of the park, with the band's usual slide guitar riffs and badder-than-thou lyrics coming together for one solid jukebox anthem.



Rose Tattoo's version isn't all too different from Guns N' Roses' more famous cover on G N' R Lies. But why is it inferior?



To these ears, Rose Tattoo are trying too hard. The guitar playing feels labored next to Slash's, the vocals sound strained vs. Axl's feral interpretation. Both versions are great, and both bands have chemistry, but only one of them is iconic.

Chuck Klosterman, the literary world's most vocal GNR fan, might agree. "Because rock is so tied to the abstract concept of 'cool,' it seems distasteful when anyone tries too much," he once wrote in Spin. "Bands that are unpolished and lazy (the Replacements, Pavement, Motörhead) are always more likeable than groups that do 'whatever it takes' to achieve a modicum of success (Bon Jovi, Jimmy Eat World, Flickerstick)."

Now that we know that Axl can spend decades working on a song, it's clear that Guns N' Roses are neither unpolished nor lazy. But on "Nice Boys," they played the part with the finesse of a Scorsese cast.