I can't believe AC/DC is turning 40 this year. They still seem like the youngest classic rock band, eternal teenagers to grizzled old Led Zeppelin and Black Sabbath, every new hard rock band's cooler older brother. Never going to make an album with Allison Krauss, never going to be on reality TV, never even going to release a Greatest Hits album. If the past four decades are any indication, the upcoming studio album will sound much like the last 15, and the proposed 2014 tour will be as mind-blowing as anything you can experience in an arena.
It started back in1974, when a band called the Velvet Underground (Malcolm and Angus Young already knew there was another band called the Velvet Underground--they just didn't care) met professional miscreant Bon Scott and renamed themselves AC/DC. Their earliest recordings would take years to get released in America (probably because, like the first Motörhead albums, someone thought the music was too much for us to handle,) and by the time we got "Jailbreak" in 1984, AC/DC had already surpassed it with albums like Highway to Hell and Back in Black. But I still love hearing it today as one of the best ever rock bands on the long way to the top.
Bob Dylan once said of Elvis Presley, "Hearing him for the first time was like busting out of jail." It's a sentiment that AC/DC cembodies on "Jailbreak," and one they still carry today.
Showing posts with label elvis presley. Show all posts
Showing posts with label elvis presley. Show all posts
Tuesday, February 25, 2014
Saturday, August 10, 2013
Saturday, February 9, 2013
Ozzy Osbourne, Blizzard of Ozz
Who would've thought that Ozzy would be the most successful member of Black Sabbath? Ozzy, with the biggest drug problem and the fewest songwriting contributions? Bat-chomping, ant-snorting Ozzy and not riff architect Tony Iommi? It'd be like having Art Garfunkel sell more records and write better music than Paul Simon. But on Blizzard of Ozz, backed up by a prodigious American guitarist and a patient but hard-headed manager whom we know today as Sharon, Ozzy recorded one of the all-time great metal debuts, a gateway metal album for generations.
For starters it's got "Crazy Train," Ozzy's signature song and a piece that seems to end up in more movies and football games every year. But it's also got the lawsuit-inspiring "Suicide Solution," the Socratic "I Don't Know" and the environmentalist "Revelation (Mother Earth)," which beat "Blackened" by nearly ten years. "Mr. Crowley" bashed all the subtlety out of Led Zeppelin's occultist leanings. There's even a classical guitar instrumental that hinted at the promise of Randy Rhoads. Ozzy rushed out two albums in the first two years of his career, perhaps because his handlers didn't think he'd live much longer, but Rhoads' neo-classical stylings never run dry on Blizzard.
Contrarians have argued that Ozzy is only as good as his guitarists, and he's certainly worked with some of the best. But like Elvis, Ozzy's mannerisms are so ingrained in popular culture that it's easy to forget what a visionary musician he was. Listen to those wacky harmonies on "Steal Away (The Night)" or the way he shifts the lunatic intro of "Crazy Train" into a cheerful singalong. Without Rhoads, he may not have had the melody, but without Ozzy, Rhoads would have been another Steve Vai, a guitartist's guitarist whose influence would never transcend music theory students. Outside of Eddie Van Halen and David Lee Roth, there has never been a better musician/rock star team-up in metal history.
For starters it's got "Crazy Train," Ozzy's signature song and a piece that seems to end up in more movies and football games every year. But it's also got the lawsuit-inspiring "Suicide Solution," the Socratic "I Don't Know" and the environmentalist "Revelation (Mother Earth)," which beat "Blackened" by nearly ten years. "Mr. Crowley" bashed all the subtlety out of Led Zeppelin's occultist leanings. There's even a classical guitar instrumental that hinted at the promise of Randy Rhoads. Ozzy rushed out two albums in the first two years of his career, perhaps because his handlers didn't think he'd live much longer, but Rhoads' neo-classical stylings never run dry on Blizzard.
Contrarians have argued that Ozzy is only as good as his guitarists, and he's certainly worked with some of the best. But like Elvis, Ozzy's mannerisms are so ingrained in popular culture that it's easy to forget what a visionary musician he was. Listen to those wacky harmonies on "Steal Away (The Night)" or the way he shifts the lunatic intro of "Crazy Train" into a cheerful singalong. Without Rhoads, he may not have had the melody, but without Ozzy, Rhoads would have been another Steve Vai, a guitartist's guitarist whose influence would never transcend music theory students. Outside of Eddie Van Halen and David Lee Roth, there has never been a better musician/rock star team-up in metal history.
Saturday, November 10, 2012
Music is Going to the Dogs
Margaret got a dog.
Music is Going to the Dogs
This mix's MVP might be Rufus Thomas, who not only provides one of the best songs here but sticks around to thrash with the Jon Spencer Blues Explosion. Then again, I've also included pop music's doggiest figure, represented by his doggiest song ever. Like Iggy Pop before him, Snoop just wants to be a dog. Who can blame him?
At risk of understatement, dogs bring out some some strange emotions in people, from the heartwarming "Old King" to the grouchy "Dirty Old Egg-Suckin' Dog" to Warren Zevon's best Springsteen impression. Then there's Bob Dylan with "If Dogs Run Free," his weirdest song ever. If Tom Waits recorded it, we'd think he was playing a character, but since it's Bob most people probably assume he was stoned.
Music is Going to the Dogs
- Pulp, "Dogs Are Everywhere"
- Led Zeppelin, "Black Dog"
- The Stooges, "I Wanna Be Your Dog"
- John Lee Hooker, "No More Doggin'"
- Rufus Thomas, "Walking the Dog"
- Elvis Presley, "Hound Dog"
- Johnny Cash, "Dirty Old Egg-Suckin' Dog"
- The Jon Spencer Blues Explosion, "Chicken Dog"
- Aerosmith, "Sick as a Dog"
- Neil Young, "Old King"
- Harry Nilsson, "Me and My Arrow"
- Snoop Dogg, "Doggy Dogg World"
- The Magnetic Fields, "Fido, Your Leash is Too Long"
- Warren Zevon, "Even a Dog Can Shake Hands"
- Tom Waits, "Rain Dogs"
- Bob Dylan, "If Dogs Run Free"
- Modest Mouse, "Wild Packs of Family Dogs"
- Guided by Voices, "Bulldog Skin"
- Robert Johnson, "Hellhound on My Trail"
- Nick Drake, "Black Eyed Dog"
- TV on the Radio, "Love Dog"
- David Bowie, "Diamond Dogs"
- George Clinton, "Atomic Dog"
This mix's MVP might be Rufus Thomas, who not only provides one of the best songs here but sticks around to thrash with the Jon Spencer Blues Explosion. Then again, I've also included pop music's doggiest figure, represented by his doggiest song ever. Like Iggy Pop before him, Snoop just wants to be a dog. Who can blame him?
At risk of understatement, dogs bring out some some strange emotions in people, from the heartwarming "Old King" to the grouchy "Dirty Old Egg-Suckin' Dog" to Warren Zevon's best Springsteen impression. Then there's Bob Dylan with "If Dogs Run Free," his weirdest song ever. If Tom Waits recorded it, we'd think he was playing a character, but since it's Bob most people probably assume he was stoned.
Saturday, June 16, 2012
Dad Rock
Dad mixes are some of the hardest to make. Almost by definition, your father hates the music that you listen to. Mothers get far more musical tributes, and most father songs ("Come to Daddy," "Papa Don't Preach," "Had a Dad," "The End") are wildly inappropriate. Thus Father's Day mixes can be a chore, but let's give it a shot.
Dad Rock
Dad and I share an appreciation for Shel Silverstein, who appears in the giddy "Dirty Ol' Me" and the bittersweet "Comin' After Jinny," and we've also agreed on "Samba Pa Ti," Santana's best number and a subject of Nick Hornby's 31 Songs. On a limb, I'm hoping to increase Dad's appreciation for Jerry Lee Lewis, The White Stripes and especially the Rolling Stones, gracing us with my favorite song here. Dad prefers the Beatles, so I've added Squeeze's best impersonation of the Fab Four.
This year, I've gone on Radiohead and Fiona Apple kicks, represented by father-friendly tracks, and more recently caught up to Roy Orbison, who joins a few of my favorite rock pioneers. The influence of artists like James Brown and Elvis Presley is now universal, and therefore taken for granted. A mix CD is ideal for emphasizing why they really matter.
The sore thumb here is "Pretty Vacant," which outguns everything else here by miles and shouldn't be on a mix for anyone over age 30. That being said, I do worship the Sex Pistols, and Dad likes Johnny Rotten's letter to the Rock and Roll Hall of Fame, so I'm taking a chance.
PS: Metalsucks has an excellent photo gallery of Metal Dads right here.
Dad Rock
- Red Hot Chili Peppers, "Under the Bridge"
- The White Stripes, "My Doorbell"
- Shel Silverstein, "Dirty Ol' Me"
- Squeeze, "Is That Love"
- Fiona Apple, "Paper Bag"
- Stevie Wonder, "Boogie on Reggae Woman"
- Smashing Pumpkins, "Tonight, Tonight"
- Sex Pistols, "Pretty Vacant"
- Elvis Presley, "All Shook Up"
- James Brown, "Night Train"
- The Rolling Stones, "Loving Cup"
- Harry Nilsson, "Maybe"
- The Clash, "Rudie Can't Fail"
- Jerry Lee Lewis, "What'd I Say"
- R.E.M., "It's the End of the World as We Know It (And I Feel Fine)"
- Joni Mitchell, "Free Man in Paris"
- Radiohead, "No Surprises"
- Roy Orbison, "Only the Lonely"
- Prince, "Starfish and Coffee"
- Neil Young, "Comes a Time"
- Santana, "Samba Pa Ti"
- Shel Silverstein, "Comin' After Jinny"
Dad and I share an appreciation for Shel Silverstein, who appears in the giddy "Dirty Ol' Me" and the bittersweet "Comin' After Jinny," and we've also agreed on "Samba Pa Ti," Santana's best number and a subject of Nick Hornby's 31 Songs. On a limb, I'm hoping to increase Dad's appreciation for Jerry Lee Lewis, The White Stripes and especially the Rolling Stones, gracing us with my favorite song here. Dad prefers the Beatles, so I've added Squeeze's best impersonation of the Fab Four.
This year, I've gone on Radiohead and Fiona Apple kicks, represented by father-friendly tracks, and more recently caught up to Roy Orbison, who joins a few of my favorite rock pioneers. The influence of artists like James Brown and Elvis Presley is now universal, and therefore taken for granted. A mix CD is ideal for emphasizing why they really matter.
The sore thumb here is "Pretty Vacant," which outguns everything else here by miles and shouldn't be on a mix for anyone over age 30. That being said, I do worship the Sex Pistols, and Dad likes Johnny Rotten's letter to the Rock and Roll Hall of Fame, so I'm taking a chance.
PS: Metalsucks has an excellent photo gallery of Metal Dads right here.
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