I can't believe AC/DC is turning 40 this year. They still seem like the youngest classic rock band, eternal teenagers to grizzled old Led Zeppelin and Black Sabbath, every new hard rock band's cooler older brother. Never going to make an album with Allison Krauss, never going to be on reality TV, never even going to release a Greatest Hits album. If the past four decades are any indication, the upcoming studio album will sound much like the last 15, and the proposed 2014 tour will be as mind-blowing as anything you can experience in an arena.
It started back in1974, when a band called the Velvet Underground (Malcolm and Angus Young already knew there was another band called the Velvet Underground--they just didn't care) met professional miscreant Bon Scott and renamed themselves AC/DC. Their earliest recordings would take years to get released in America (probably because, like the first Motörhead albums, someone thought the music was too much for us to handle,) and by the time we got "Jailbreak" in 1984, AC/DC had already surpassed it with albums like Highway to Hell and Back in Black. But I still love hearing it today as one of the best ever rock bands on the long way to the top.
Bob Dylan once said of Elvis Presley, "Hearing him for the first time was like busting out of jail." It's a sentiment that AC/DC cembodies on "Jailbreak," and one they still carry today.
Showing posts with label angus young. Show all posts
Showing posts with label angus young. Show all posts
Tuesday, February 25, 2014
Saturday, June 29, 2013
The Badpiper, "Thunderstruck"
Alfred Hitchcock famously said, "I understand the inventor of the bagpipes was inspired when he saw a man carrying an indignant, asthmatic pig under his arm." I'm inclined to believe him, and normally I prefer to keep bagpipes even further away from metal than keyboards. But this video of the self-proclaimed "Badpiper" performing AC/DC's "Thunderstruck" has me shakin' at the knees. Much of the buzz this video's been getting centers around the fact that he shoots flames out of his bagpipes, but I think it's even cooler that he plays both the Angus Young and Brian Johnson parts. Enjoy below, along with the original.
Sunday, April 28, 2013
Ten Metal Bands to See Before You Die: AC/DC
If AC/DC just sat there onstage while a tape played "Dirty Deeds Done Dirt Cheap," "T.N.T.," "You Shook Me All Night Long," "Back in Black" and "Highway to Hell," they'd still earn consideration for this list. But as anyone who has seen The Who this century can tell you, playing great songs does not make you a great live band.
40 years into one of the most incredible careers in audio history, AC/DC are still claiming metal's greatest dancer, swinging from the clappers of Hell's Bells, giving us a Whole Lotta Rosie and leaving everything in their wake Thunderstruck. Getting had, getting took and telling folks it's harder than it looks.
By working their way into the 200 Million Sold club without ever deviating from the harder-than-hard rock formula that made them famous, AC/DC makes success look as easy as "The Jack." Then again, nobody has ever played those three chords with the kind of gleeful punch that Angus gives them, not to mention the wildman blues-metal freakout solo that often takes over "Let There Be Rock." The most famous Keith Richards quote about his guitars ("Give me five minutes and I'll make 'em all sound the same") can be applied to Angus Young. But give his admirers four decades, and none of them will sound like him.
No great guitarist this side of Prince has made his instrument such an enthralling part of his performance, without taking away from the playing. Watching Angus Young with a Gibson is akin to watching James Brown with a microphone stand. "I'm a rotten guitar player if I'm standing still," Angus has said, and while I don't believe it, you can tell that he does.
AC/DC does not have many of peers, but even the ones who come closest are put to shame by AC/DC's show. They're not pretending to like each other (Aerosmith, Van Halen,) physically ravaged by their decades of drug abuse (Black Sabbath, Mötley Crüe) or dressing up their guitarist to look like the guy they kicked out (KISS, Guns N' Roses). AC/DC prefer to keep their drama beneath them, where it belongs. They continue to set examples for all younger artists, meaning nearly everyone, and meaning nobody who puts on a show like these guys do.
40 years into one of the most incredible careers in audio history, AC/DC are still claiming metal's greatest dancer, swinging from the clappers of Hell's Bells, giving us a Whole Lotta Rosie and leaving everything in their wake Thunderstruck. Getting had, getting took and telling folks it's harder than it looks.
By working their way into the 200 Million Sold club without ever deviating from the harder-than-hard rock formula that made them famous, AC/DC makes success look as easy as "The Jack." Then again, nobody has ever played those three chords with the kind of gleeful punch that Angus gives them, not to mention the wildman blues-metal freakout solo that often takes over "Let There Be Rock." The most famous Keith Richards quote about his guitars ("Give me five minutes and I'll make 'em all sound the same") can be applied to Angus Young. But give his admirers four decades, and none of them will sound like him.
No great guitarist this side of Prince has made his instrument such an enthralling part of his performance, without taking away from the playing. Watching Angus Young with a Gibson is akin to watching James Brown with a microphone stand. "I'm a rotten guitar player if I'm standing still," Angus has said, and while I don't believe it, you can tell that he does.
AC/DC does not have many of peers, but even the ones who come closest are put to shame by AC/DC's show. They're not pretending to like each other (Aerosmith, Van Halen,) physically ravaged by their decades of drug abuse (Black Sabbath, Mötley Crüe) or dressing up their guitarist to look like the guy they kicked out (KISS, Guns N' Roses). AC/DC prefer to keep their drama beneath them, where it belongs. They continue to set examples for all younger artists, meaning nearly everyone, and meaning nobody who puts on a show like these guys do.
Monday, October 29, 2012
Song of the Day: AC/DC, "Hell's Bells"
Here's a better hurricane song than anything that the Scorpions ever came up with.
It's hard to imagine in 2012, but picture one of the biggest bands in the world also being one of the best. Imagine that band losing their lead singer right at the peak of their success--i.e., Radiohead following up OK Computer without Thom Yorke. That's the position that AC/DC were in months after Highway to Hell's release, when Bon Scott succumbed to "misadventure" (the coroner's words.)
The band found a flat-capped Englishman named Brian Johnson and put him in the unenviable position of replacing the guy who sang "Dirty Deeds Done Dirt Cheap." He rose to challenge on the first song on his first album with AC/DC, introducing himself thusly: "I'm rolling thunder, pouring rain/I'm coming on like a hurricane."
Every AC/DC song is famous for sounding just like every other AC/DC song. But this one doesn't. Angus and Malcolm Young almost never play at this subdued a pace, but even at their slowest they have that signature AC/DC explosiveness. I also wonder if bell in the intro (presumably belonging to the Inferno) inspired Metallica's "For Whom the Bell Tolls."
Brian Johnson left one of the best first impressions in rock history by kicking off Back in Black with "Hells Bells." He also set a bar that Ronnie James Dio, Sammy Hagar, Blaze Bayley, Ripper Owens and Paul Rodgers never lived up to. Or nearly anybody else.
It's hard to imagine in 2012, but picture one of the biggest bands in the world also being one of the best. Imagine that band losing their lead singer right at the peak of their success--i.e., Radiohead following up OK Computer without Thom Yorke. That's the position that AC/DC were in months after Highway to Hell's release, when Bon Scott succumbed to "misadventure" (the coroner's words.)
The band found a flat-capped Englishman named Brian Johnson and put him in the unenviable position of replacing the guy who sang "Dirty Deeds Done Dirt Cheap." He rose to challenge on the first song on his first album with AC/DC, introducing himself thusly: "I'm rolling thunder, pouring rain/I'm coming on like a hurricane."
Every AC/DC song is famous for sounding just like every other AC/DC song. But this one doesn't. Angus and Malcolm Young almost never play at this subdued a pace, but even at their slowest they have that signature AC/DC explosiveness. I also wonder if bell in the intro (presumably belonging to the Inferno) inspired Metallica's "For Whom the Bell Tolls."
Brian Johnson left one of the best first impressions in rock history by kicking off Back in Black with "Hells Bells." He also set a bar that Ronnie James Dio, Sammy Hagar, Blaze Bayley, Ripper Owens and Paul Rodgers never lived up to. Or nearly anybody else.
Wednesday, July 25, 2012
The Five Best Dancers in Metal
I am by no means a dance expert, but I also don't see why dancing is considered wussy in some male circles. Norman Mailer can talk all he wants, but I'd bet against him in a fight with Rahm Emanuel.
The fact is, any dude who wants to put on a good show needs to do more than just sing or play his instrument, and that requires being confident enough with your masculinity to not care about what other people think. Here are five admirable guys who aren't afraid to leave their friends behind.
5. David Lee Roth
The only one on this list who clearly took dance lessons, David Lee Roth can't do anything but entertain you. Those high-kicks, splits, vaudeville steps and irrepressible ad-libs helped make him the greatest hard rock frontman in the world during his first stint with Van Halen.
4. Rob Zombie
Rob's sense of rhythm must have come from a different planet. Other than Jarvis Cocker, I've never seen another musician who seemed to know what the audience was seeing as well as what he was doing. Clearly a future director at work. Watch how even in the cramped space of the Letterman Show studio, Zombie knows how to let himself fly.
3. Iggy Pop
Yes, it's amazing that Keith Richards and Ozzy Osbourne are still alive, but the most remarkable might be Iggy, who not only survived but also still puts on a more violently energetic show than any number of mortals. Here he is schooling the stars of Trainspotting in a promotional video for "Lust for Life."
2. Axl Rose
In the wisest available piece on Axl Rose, John Jeremiah Sullivan dubs him "the only indispensable white male rock dancer of his generation, the only one worth imitating in mockery." He cites a tender moment from the "Patience" video as evidence, but it's the abrupt yet rhythmic spasms of Axl's now-infamous snake dance that made the world take notice.
1. Angus Young
Can you imagine matching the performance intensity of everyone else on this list...while playing a guitar? How about if you're playing the foundation of hard rock and the best blues-metal solos in history? Angus' duck walks and spins remind most folks of Chuck Berry, but a more accurate comparison would be Prince, the only other artist who can pack intrinsic showmanship and picking virtuosity into a 5' 2" frame.
The fact is, any dude who wants to put on a good show needs to do more than just sing or play his instrument, and that requires being confident enough with your masculinity to not care about what other people think. Here are five admirable guys who aren't afraid to leave their friends behind.
5. David Lee Roth
The only one on this list who clearly took dance lessons, David Lee Roth can't do anything but entertain you. Those high-kicks, splits, vaudeville steps and irrepressible ad-libs helped make him the greatest hard rock frontman in the world during his first stint with Van Halen.
4. Rob Zombie
Rob's sense of rhythm must have come from a different planet. Other than Jarvis Cocker, I've never seen another musician who seemed to know what the audience was seeing as well as what he was doing. Clearly a future director at work. Watch how even in the cramped space of the Letterman Show studio, Zombie knows how to let himself fly.
3. Iggy Pop
Yes, it's amazing that Keith Richards and Ozzy Osbourne are still alive, but the most remarkable might be Iggy, who not only survived but also still puts on a more violently energetic show than any number of mortals. Here he is schooling the stars of Trainspotting in a promotional video for "Lust for Life."
2. Axl Rose
In the wisest available piece on Axl Rose, John Jeremiah Sullivan dubs him "the only indispensable white male rock dancer of his generation, the only one worth imitating in mockery." He cites a tender moment from the "Patience" video as evidence, but it's the abrupt yet rhythmic spasms of Axl's now-infamous snake dance that made the world take notice.
1. Angus Young
Can you imagine matching the performance intensity of everyone else on this list...while playing a guitar? How about if you're playing the foundation of hard rock and the best blues-metal solos in history? Angus' duck walks and spins remind most folks of Chuck Berry, but a more accurate comparison would be Prince, the only other artist who can pack intrinsic showmanship and picking virtuosity into a 5' 2" frame.
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