Alice Cooper, "We're All (Clones)"

Few things piss off metalheads like the idea that their favorite musicians are hopping trends. KISS fans pretend that their disco song doesn't exist, even though it's one of their biggest hits. Machine Head's nu-metal years, the Page-Coverdale album and "Turbo Lover" are derided by everyone who remembers them. Even when a band jumps between sub-mainstream genres, such as the metalcore incarnation of Cryptopsy or Morbid Angel's industrial album, one would think that they'd have teamed up with Justin Bieber for the amount of bile that gets thrown their way. In the eyes of some headbangers, they may never redeem themselves.

But what if the trend-hopping songs are really great?



By 1980, Alice Cooper had already spent a few years releasing rehab-inspired ballads and rehashes of his early '70s ragers. But he roared back to life with "We're All (Clones)," a shameless jump onto the new wave bandwagon. Alice gets right into character with a piping sythesizer and reserved delivery to match Gary Numan's. Overzealous rock critics might point out that Alice was mocking the too-cool new wavers by aligning himself with clones. Maybe it was his chance to get back at Talking Heads, whose "Psycho Killer" was inspired by Billion Dollar Babies. More likely, he's just having fun being a robot.