Showing posts with label shining. Show all posts
Showing posts with label shining. Show all posts

Friday, March 27, 2015

For Birthday Boy Rifkin



For Birthday Boy Rifkin
  1. The Jesus Lizard, "Boilermaker"
  2. Shining, "I Won't Forget"
  3. Blur, "There's No Other Way"
  4. Janet Jackson, "Rhythm Nation"
  5. Alice Cooper, "Clones (We're All)"
  6. AC/DC, "Riff Raff"
  7. Q-Tip, "Move"
  8. Pailhead, "I Will Refuse"
  9. Goatwhore, "Apocalyptic Havoc"
  10. Marsha Hunt, "(Oh, No! Not) The Beast Day"
  11. Stevie Wonder, "That Girl"
  12. Squeeze, "Goodbye Girl"
  13. Tinie Tempah, "Pass Out"
  14. Shuggie Otis, "Strawberry Letter 23"
  15. Killing Joke, "Requiem"
  16. Bill Withers, "Grandma's Hands"
  17. David Axelrod, "The Human Abstract"
  18. Living Colour, "Solace of You"
  19. Ozzy Osbourne, "No More Tears"
Happy birthday, JR.

Sunday, September 22, 2013

Shining, "I Won't Forget"

Shining is on their first ever American tour right now, behind one of the year's best albums and not nearly enough press. One One One is getting billed as prog-metal, probably because Shining used to be a jazz band and covered King Crimson's "21st Century Schizoid Man." But One One One sounds more industrial to me, with heavy tones of Killing Joke and early Nine Inch Nails, plus the best saxophone in all of metal (sorry, Sigh and Nachtmystium). Shining is also a downright ferocious live band, thrashing and prowling all over a relatively cramped stage without missing a note.

Luckily, they're from Norway, where art-metal is more widely appreciated and they can get a budget for a music video like this one, for "I Won't Forget."



I also like this long take of them playing "I Won't Forget" outdoors.  More bands should record their videos live.



They're on their way to Illinois, Colorado and California before ending their tour. Book a flight if you have to.

Tuesday, July 2, 2013

The Ten Best Metal Records of 2013, So Far

In alphabetical order:

1. Amon Amarth, Deceiver of the Gods

Not many bands can stay relevant by making the same album over and over again. But as long as the Vikings in Amon Amarth are owning death metal's most energizing riffs and sea shantey choruses, they'll be one of rare those bands.



2. ASG, Blood Drive

The riffs have slowed down, the melodies soar, and yet the sun-baked stoner metal tones that made Win Us Over a keeper radiate through. This year's gateway metal album to beat.



3. The Dillinger Escape Plan, One of Us is the Killer

Like the Red Hot Chili Peppers or the Replacements, DEP's one consistency was that they were becoming more streamlined and produced with every album. Until this year--One of Us is the Killer is a heavy dose of ferocity that both reaches back to and expands on their early sonic furies. You know, from when mathcore was a punchline.



4. Intronaut, Habitual Levitations

"Nimble," "catchy" and "addictive" aren't words usually used to describe prog-rock. Unless someone is doing it better than everyone else.



5. Kvelertak, Meir

Nobody wants to feel the pressure of following up a monster debut, but Kvelertak sound like they love it. Your friends who tell you about DIIV saving punk and Liturgy saving metal are missing out.



6. Nails, Abandon All Life

Wow! Where did these guys come from? Did someone make a bet that they could make Pig Destroyer sound like the Foo Fighters in 17 minutes? Collect.



7. Ramming Speed, Doomed To Destroy, Destined To Die

It takes a lot for me to tolerate neo-thrash. Even the best bands, like Municipal Waste and Skeletonwitch, are hard to listen to when there's already the Big Four and Testament. But Ramming Speed fused it with just enough death metal to make me wonder why no one thought of this before, between headbangs.



8. Shining, One One One

I don't know what made a Swedish avant-jazz band decide that they could save industrial metal, but I hope they keep doing it. No wonder NIN is back this year.



9. Soilwork, The Living Infinite

Outside of Natural Born Chaos, I assumed that Soilwork was a perfectly honorable background metal band. I had no interest in picking up a double album from them, until a friend planted it in my dropbox. Who knew that a 2-CD death metal set, much less one from Soilwork, could rock this hard? Their countrymen in In Flames and Arch Enemy haven't put out anything this potent in ages.



10. Queens of the Stone Age, Like Clockwork

In which Josh Homme forfeits his title as rock's coolest man to out himself as an emotional wreck. The bravest twist yet in one of modern rock's most indispensable careers.