"Deadly Sinners", from 2004's Advance and Vanquish, comes close to packing everything that's great about extreme metal into four and a half minutes. The lyrics are Manowar-worthy, and the vocals are clearly indebted to King Diamond, but no one I can think of had ever put it all together so smoothly until 3 Inches of Blood. This was a rare modern band that exhibited the fun of metal music without pretending there was anything shameful about being in a metal band, getting headbangers on their feet and putting a scene full of Sunn O)))s to shame. Thanks for the music, gentlemen. Best of luck with that final show, and please keep us posted on your new projects.
Showing posts with label ramming speed. Show all posts
Showing posts with label ramming speed. Show all posts
Friday, June 5, 2015
3 Inches of Blood, "Violent Sinners"
I'm sorry to see 3 Inches of Blood announce their breakup this week. The BC (British Columbia, not Before Christ) quartet were ferocious live, and infected the NWOBNHM-inspired music with enough black metal and death metal, not to mention killer hooks, to rise above the neo-NWOBHM heap. The last time I caught them, at St. Vitus on a skull-crushingly great bill with Goatwhore, Revocation and Ramming Speed, they were easily the most traditionally metal band on the bill, but played just as brutally as their peers. I'm guessing more than a few death metalers got into Iron Maiden through 3IOB, and they probably got some old school metalheads into Behemoth as well.
"Deadly Sinners", from 2004's Advance and Vanquish, comes close to packing everything that's great about extreme metal into four and a half minutes. The lyrics are Manowar-worthy, and the vocals are clearly indebted to King Diamond, but no one I can think of had ever put it all together so smoothly until 3 Inches of Blood. This was a rare modern band that exhibited the fun of metal music without pretending there was anything shameful about being in a metal band, getting headbangers on their feet and putting a scene full of Sunn O)))s to shame. Thanks for the music, gentlemen. Best of luck with that final show, and please keep us posted on your new projects.
"Deadly Sinners", from 2004's Advance and Vanquish, comes close to packing everything that's great about extreme metal into four and a half minutes. The lyrics are Manowar-worthy, and the vocals are clearly indebted to King Diamond, but no one I can think of had ever put it all together so smoothly until 3 Inches of Blood. This was a rare modern band that exhibited the fun of metal music without pretending there was anything shameful about being in a metal band, getting headbangers on their feet and putting a scene full of Sunn O)))s to shame. Thanks for the music, gentlemen. Best of luck with that final show, and please keep us posted on your new projects.
Tuesday, July 2, 2013
The Ten Best Metal Records of 2013, So Far
In alphabetical order:
1. Amon Amarth, Deceiver of the Gods
Not many bands can stay relevant by making the same album over and over again. But as long as the Vikings in Amon Amarth are owning death metal's most energizing riffs and sea shantey choruses, they'll be one of rare those bands.
2. ASG, Blood Drive
The riffs have slowed down, the melodies soar, and yet the sun-baked stoner metal tones that made Win Us Over a keeper radiate through. This year's gateway metal album to beat.
3. The Dillinger Escape Plan, One of Us is the Killer
Like the Red Hot Chili Peppers or the Replacements, DEP's one consistency was that they were becoming more streamlined and produced with every album. Until this year--One of Us is the Killer is a heavy dose of ferocity that both reaches back to and expands on their early sonic furies. You know, from when mathcore was a punchline.
4. Intronaut, Habitual Levitations
"Nimble," "catchy" and "addictive" aren't words usually used to describe prog-rock. Unless someone is doing it better than everyone else.
5. Kvelertak, Meir
Nobody wants to feel the pressure of following up a monster debut, but Kvelertak sound like they love it. Your friends who tell you about DIIV saving punk and Liturgy saving metal are missing out.
6. Nails, Abandon All Life
Wow! Where did these guys come from? Did someone make a bet that they could make Pig Destroyer sound like the Foo Fighters in 17 minutes? Collect.
7. Ramming Speed, Doomed To Destroy, Destined To Die
It takes a lot for me to tolerate neo-thrash. Even the best bands, like Municipal Waste and Skeletonwitch, are hard to listen to when there's already the Big Four and Testament. But Ramming Speed fused it with just enough death metal to make me wonder why no one thought of this before, between headbangs.
8. Shining, One One One
I don't know what made a Swedish avant-jazz band decide that they could save industrial metal, but I hope they keep doing it. No wonder NIN is back this year.
9. Soilwork, The Living Infinite
Outside of Natural Born Chaos, I assumed that Soilwork was a perfectly honorable background metal band. I had no interest in picking up a double album from them, until a friend planted it in my dropbox. Who knew that a 2-CD death metal set, much less one from Soilwork, could rock this hard? Their countrymen in In Flames and Arch Enemy haven't put out anything this potent in ages.
10. Queens of the Stone Age, Like Clockwork
In which Josh Homme forfeits his title as rock's coolest man to out himself as an emotional wreck. The bravest twist yet in one of modern rock's most indispensable careers.
1. Amon Amarth, Deceiver of the Gods
Not many bands can stay relevant by making the same album over and over again. But as long as the Vikings in Amon Amarth are owning death metal's most energizing riffs and sea shantey choruses, they'll be one of rare those bands.
2. ASG, Blood Drive
The riffs have slowed down, the melodies soar, and yet the sun-baked stoner metal tones that made Win Us Over a keeper radiate through. This year's gateway metal album to beat.
3. The Dillinger Escape Plan, One of Us is the Killer
Like the Red Hot Chili Peppers or the Replacements, DEP's one consistency was that they were becoming more streamlined and produced with every album. Until this year--One of Us is the Killer is a heavy dose of ferocity that both reaches back to and expands on their early sonic furies. You know, from when mathcore was a punchline.
4. Intronaut, Habitual Levitations
"Nimble," "catchy" and "addictive" aren't words usually used to describe prog-rock. Unless someone is doing it better than everyone else.
5. Kvelertak, Meir
Nobody wants to feel the pressure of following up a monster debut, but Kvelertak sound like they love it. Your friends who tell you about DIIV saving punk and Liturgy saving metal are missing out.
6. Nails, Abandon All Life
Wow! Where did these guys come from? Did someone make a bet that they could make Pig Destroyer sound like the Foo Fighters in 17 minutes? Collect.
7. Ramming Speed, Doomed To Destroy, Destined To Die
It takes a lot for me to tolerate neo-thrash. Even the best bands, like Municipal Waste and Skeletonwitch, are hard to listen to when there's already the Big Four and Testament. But Ramming Speed fused it with just enough death metal to make me wonder why no one thought of this before, between headbangs.
8. Shining, One One One
I don't know what made a Swedish avant-jazz band decide that they could save industrial metal, but I hope they keep doing it. No wonder NIN is back this year.
9. Soilwork, The Living Infinite
Outside of Natural Born Chaos, I assumed that Soilwork was a perfectly honorable background metal band. I had no interest in picking up a double album from them, until a friend planted it in my dropbox. Who knew that a 2-CD death metal set, much less one from Soilwork, could rock this hard? Their countrymen in In Flames and Arch Enemy haven't put out anything this potent in ages.
10. Queens of the Stone Age, Like Clockwork
In which Josh Homme forfeits his title as rock's coolest man to out himself as an emotional wreck. The bravest twist yet in one of modern rock's most indispensable careers.
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