24 Days to Find a Home
"Nowhere is My Home" is a rare 'Mats tune, from import EP Boink, which only us superfans (and if you've heard the Replacements, how could you be anything else?) know. So imagine my shock and pleasure at seeing them play it at their magnificent return to New York, more than two decades after their breakup, in Forrest Hills last summer.
Produced by Paul Westerberg's hero Alex Chilton, it's about as 'Matsy as a song can get--scruffy, lovable, contagious and mostly ignored. The lyrics and poor mix underscore Nick Hornby's comment about Westerberg being "everyone's favorite coulda-beena-contender." It's a theme he immerses in, to say the least (years later, on the Beatles tribute I am Sam soundtrack, he covered, of course, "Nowhere Man"). "I can see the ship's full of holes / Even though with a heave and a ho we'll raise the sails" starts the ever-optimistic losers' anthem, building to the climactic chorus, an "I'm Nobody! Who are you?" for the Sex Pistols era:
"I didn't deserve it
To feel so disconcerted
Nowhere
That's my home, dear
Nowhere
Is where I'm from
Nowhere
Ain't too far from here"
How dreary to be somebody. And what a joy to be Nowhere with the Replacements.
Showing posts with label alex chilton. Show all posts
Showing posts with label alex chilton. Show all posts
Monday, April 6, 2015
Monday, January 27, 2014
Guns N' Roses, "Sorry"
I'm one of maybe four* people who loves Chinese Democracy, but I do, with all of my heart and head. As a musical genius losing his shit, it ranks with Brian Wilson on Smile and Alex Chilton on Third/Sister Lovers. It's a hide-the-knives depiction of a lonely millionaire from the heart of the man himself, as if The Great Gatsby were an autobiography or if Charles Foster Kane wrote Citizen Kane. It's the most expensive album of all time (a record that will surely stand in the post CD sales world), with more delays and lineup changes than I can count, yet it feels more personal and confessional than most sparse, lo-fi indie albums. How conscious Axl is of his status as arguably the world's craziest, sickest and loneliest international rock star is up for debate, but it's a question that keeps me coming back to Chinese Democracy and liking it more now than I did five years ago.
A friend recently asked me for a few good Apology Songs, and one of the first that I could think of was "Sorry." It might not be a great choice, since the chorus is "I'm sorry for you/Not sorry for me." But there's more to it--this is one of the only songs I've ever heard successfully express that moment when someone pretends to be angry at someone else because he can't deal with the pain of being angry at himself. "You talk too much, you say I do/The difference is nobody cares about you," Axl says, although obviously someone cared enough about the culprit to write a six-minute song about them.
"Sorry" doest not capture all of Axl's perversities, but it might come closer than any other work of art. He's reserved enough to embody a spacey, Wish You Were Here via Kid A vibe, yet still heated enough to threaten an ass-kicking and crazy enough to sing one lyric with a vampire accent. Maybe you believe him when he sings "It's harder to live with the truth about you/Than to live with the lies about me," but I know which one I would rather be.
*One of whom, interestingly, is Robert Christgau, who completely missed the boat on every other Guns N' Roses release but somehow was one of the only critics to get this one right.
A friend recently asked me for a few good Apology Songs, and one of the first that I could think of was "Sorry." It might not be a great choice, since the chorus is "I'm sorry for you/Not sorry for me." But there's more to it--this is one of the only songs I've ever heard successfully express that moment when someone pretends to be angry at someone else because he can't deal with the pain of being angry at himself. "You talk too much, you say I do/The difference is nobody cares about you," Axl says, although obviously someone cared enough about the culprit to write a six-minute song about them.
"Sorry" doest not capture all of Axl's perversities, but it might come closer than any other work of art. He's reserved enough to embody a spacey, Wish You Were Here via Kid A vibe, yet still heated enough to threaten an ass-kicking and crazy enough to sing one lyric with a vampire accent. Maybe you believe him when he sings "It's harder to live with the truth about you/Than to live with the lies about me," but I know which one I would rather be.
*One of whom, interestingly, is Robert Christgau, who completely missed the boat on every other Guns N' Roses release but somehow was one of the only critics to get this one right.
Labels:
alex chilton,
axl rose,
brian wilson,
citizen kane,
the great gatsby
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