Foo Fighters: Back and Forth

Call it Even Dave Grohl Gets Band Drama. One thing that anyone who sees Foo Fighters: Back and Forth will take away from it is that you can be the coolest, funniest, most easygoing rock star in the world, and keeping a band together is still tough work.

Grohl's reputation as The Nicest Guy in Rock won't be tattered by Back and Forth, where you see him struggle to keep Taylor Hawkins, Nate Mendel and Pat Smear in a band together. There's a reason why it's not called Dave Grohl: Back and Forth. But this is not a side of Grohl that we're used to seeing, when he goofs around with Jack Black or Josh Homme in public. Here he turns down a cushy gig with Tom Petty (on the Wildflowers tour, no less) because it's more important to him to try out his own untested songs. He overdubs his own drums on The Colour and the Shape at the risk of hurting his original drummer's feelings, which it does. Grohl may be an uncharacteristically sweet rock star, but he's still a rock star, and he demonstrates the kind of focus and professionalism that one would expect from a guy who's led one of the biggest rock bands in the world for almost 20 years now. He's been many things to many different people, but he's still nobody's monkey wrench.

Yet Back and Forth has one thing that's even more fascinating than watching Grohl be a boss, and you know exactly what that is. "It's all about the music" is a cliché in any rockumentary, but Grohl says it here without ever uttering the words. Watching him explain how he wrote the bass line to "Enough Space" while jumping up and down to get the rhythm of a crowd of people jumping at a rock show just right is even more spellbinding than the song itself. Maybe you think that's faint praise, but even if you're not a Foo Fighters, Nirvana, Probot, Queens of the Stone Age, Tenacious D, Them Crooked Vultures or Scream fan, there's no denying that Dave Grohl was born to make music.

Ben in the Art of Archery

My buds Ben (not myself) and Arch both have birthdays this month, and are getting hitched this year. This was the only pun that I could think of that included both of their names.



Ben in the Art of Archery

1. Neil Young, "Cinnamon Girl"
2. Joan Jett and Paul Westerberg, "Let's Do It"
3. U2, "Desire"
4. Grateful Dead, "Touch of Grey"
5. Liz Phair, "Polyester Bride"
6. Pulp, "Disco 2000"
7. Hüsker Dü, "Could You Be the One?"
8. The Zombies, "This Will Be Our Year"
9. Roy Orbison, "You Got It"
10. Stiff Little Fingers, "Alternative Ulster"
11. Tom Petty, "You Wreck Me"
12. Squeeze, "Tempted"
13. Matthew Sweet, "Sick of Myself"
14. Japandroids, "The House That Heaven Built"
15. Blue Öyster Cult, "Burnin' for You"
16. The Smiths, "Ask"
17. David Bowie, "Modern Love"
18. TV on the Radio, "Second Song"
19. Elvis Presley, "All Shook Up"
20. Bruce Springsteen, "Glory Days"
21. The Beatles, "It's All Too Much"

Arch is the only person I know who likes both Joan Jett and the Replacements as much as I do, so of course I had to include their underrated team-up from the Tank Girl soundtrack, covering Cole Porter's most punk rock song. I'm hoping that Squeeze and the Grateful Dead's biggest hits will work as either introductions or reinforcements, and I'm including Roy Orbison, Tom Petty and a lesser-known George Harrison song in honor of Arch's affinity for the Traveling Wilburys.

There's a vaguely romantic theme here--I guess almost all songs have one, but tracks like "This Will Be Our Year," "Burnin' for You," "Cinnamon Girl" and "You Got It" are especially for these two. Then again, I couldn't help including Stiff Little Fingers and Hüsker Dü. That's what friends are for.

Best of the Cars

"As I'm buying a car this week (!) you should each make me a playlist about cars," my sister texted her music nerd friends a few days ago. So much for all the other work I was supposed to do this week.



Best of the Cars

1. AC/DC, "Highway to Hell"
2. Public Enemy, "You're Gonna Get Yours"
3. The Clash, "Brand New Cadillac"
4. Gary Numan, "Cars"
5. Arcade Fire, "Keep the Car Running"
6. Guided By Voices, "Motor Away"
7. Tom Waits, "Ol' 55"
8. Robert Johnson, "Terraplane Blues"
9. Tom Petty, "Runnin' Down a Dream"
10. The Jimi Hendrix Experience, "Crosstown Traffic"
11. Wilson Pickett, "Mustang Sally"
12. T-Rex, "Jeepster"
13. Van Halen, "Panama"
14. The Dead Milkmen, "Bitchin' Camaro"
15. Prince, "Little Red Corvette"
16. The Who, "Going Mobile"
17. War, "Low Rider"
18. Howlin' Wolf, "Cadillac Daddy (Mr. Highway Man)"
19. Alice Cooper, "Under My Wheels"
20. The Beach Boys, "I Get Around"
21. The Beatles, "Drive My Car"
22. Chuck Berry, "No Particular Place to Go"
23. Big Star, "Back of a Car"
24. Janis Joplin, "Mercedes Benz"
25. Neil Young, "Long May You Run"

Let the good times roll.

The car song is one of the most celebrated rock traditions, a move that made careers for Chuck Berry, the Beach Boys and Bruce Springsteen, among others.  To help cut this down to 80 minutes, I enforced the one-song-per artist rule. Thus we get "No Particular Place to Go" and "I Get Around," plus the Springsteen quota filled by singer-songwriters who wrote better car songs (Waits, Petty, Young.)

The first track that sprung to mind was "Cars," by honorable one hit wonder Gary Numan, and the obvious Prince, War and Wilson Pickett choices were also too awesome to resist. Of course I also had to include "Highway to Hell" and "Panama," both deservedly canonized yet unappreciated as car jams, as well as the amazing "Your Gonna Get Yours," Chuck D's uncharacteristically materialistic hymn to his 98 Oldsmobile. Maybe Flavor Flav got into his head.

At the risk of alienating both of my readers, I think that blues songs are best heard on mix CDs. Robert Johnson and Howlin' Wolf's talents stand out more next to Tom Petty and Alice Cooper than they do next to shoddily-recorded alternate version demos of the same song three times in a row. I also like the Arcade Fire and Dead Milkmen songs better out of their original context.

I still love the Who and Jimi Hendrix contributions, almost unreasonably, and "Back of a Car," like everything else from the original Big Star records, makes me swoon. #1 Record/Radio City is one of those things that probably gets an advantage if it finds you when you're still young enough to enjoy shaving.

Enjoy the tunes, Sis! Drive safe.